'O Globo' (Rio fanzine) feature, 1998


The dial is the mouse. The receiver is a telephone line. Stupid radio announcers have no chance. Advertisements, only tomorrow. And the so-hard-to-find freedom is in the air. It's InterFACE, an unbelieveble radio that can be found from 18 to 24 hours a day in a world apart, the Internet.

Interface's virtual address clearly shows its originin (www.pirate-radio.co.uk ). It's transmited form London to all over the world, broadcasting "sounding anarchy", a dream turned into reality by Mad Ash. He's a DJ and producer who, for several years, found himself between raves and pirate-radios, once the latter is one of the most powerful ways of spreading alternative music throughout England until nowadays.

-But I didn't work with cheap and bad piracy, that one with inadequate equipments that interfere with other radio signals, air traffic signals and other security areas - says Mad Ash, in exclusive phone interview to Rio Fanzine, from his house in London. - I just wanted to play not the hit parade, but what is not under pressure of the industry, real underground music.

What Mad Ash means is house, soul, hip hop, techno, speed garage, drum 'n' bass, trance and gabba; nothing related to Phil Collins or Spice Girls. When he met, at a party, the expert in computers and programming Adam Laurie, he realized he could turn the dark world of piracy into the light of a new way.

-The discovery of Internet as a new radio concept was wonderful - he says. It's a world of freedom, without any kind of interference; it's cool.

So, interference was born last February, as the result of Ash and Laurie's partnership. It's not the first radio in internet, but maybe it's the best one.

The high-tech equipments were all donated by corps, like Silicon Graphics and Real Audio, interested in seeing their most recent software being tested in a creative way as well as linking their names to an innovative way like InterFACE.

The radio's financial support is, in part, due to those DJs who work there. But ordinary DJs are responsiblefor most of InterFACE's programing, although famous ones like Talvin Singh, Dego (from "4 Zero") and Gilles Petersen had been there recently and "Reinforced Records" and "Trouble on Vynil" had presented their work there.

Every Dj has to pay ten pounds. It's almost a symbolic tax to mantain the radio and it's also a way of knowing they are aware of our purpose - says Mad Ash. -Everyone can play on InterFACE. All u have to do is send a tape with your work and a contact phone number.

Speaking of legal questions, the DTI, that rules broadcasting throughout England, declared that InterFACE is a free radio because Internet has no specific regulation on this topic.

-But as soon as a regulation appears, we are ready to discuss it - says Mad Ash.

InterFACE is on the way to reach the top. "The Face", "Wired", "Muzik", "The Independent" and even BBC have good coments on its work. InterFACE's counter has registered over 3 million visitants since its inaugural transmission.

Such diversity is shown in the chat session , where people from Japan, Brazil, USA or wherever a computer, a telephone line and no conformism can be found.

Last wednesday evening (13/05/98) Rio Fanzine entered the chat and asked for opinions on InterFACE.

-It's the future - says STE, from New York.
-There's nothing like it - says Martina, from Canada.
-I WANNA GO TO RIO - "yells" STATIC, from London.
Sounding globalization or "one nation under a groove", predicted by George Clinton? It doesn't matter. What really matters is that changeful noise is in the air. A cool noise. Just listen.